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A fire truck’s remains are displayed at the National September 11 Memorial Museum in New York, which will open this week.

9/11 museum to immerse visitors in sights, sounds

– The museum devoted to the story of Sept. 11 tells it in victims' last voicemails, in photos of people falling from the twin towers, in the scream of sirens, in the dust-covered shoes of those who fled the skyscrapers' collapse, in the wristwatch of one of the airline passengers who confronted the hijackers.

By turns chilling and heartbreaking, a place of both deathly silence and distressing sounds, the National September 11 Memorial Museum opens this week deep beneath ground zero, 12 1/2 years after the terrorist attacks.

The project was marked by construction problems, financial squabbles and disputes over the appropriate way to honor the nearly 3,000 people killed in New York, Washington and the Pennsylvania countryside.

Whatever the challenges in conceiving it, “you won't walk out of this museum without a feeling that you understand humanity in a deeper way,” museum President Joe Daniels said Wednesday.

The privately operated museum – built along with the memorial plaza above for $700 million in donations and tax dollars – will be dedicated today with a visit from President Barack Obama and will be open initially to victims' families, survivors and first responders. It will open to the public Wednesday.

Visitors start in an airy pavilion where the rusted tops of two of the World Trade Center's trident-shaped columns shoot upward. From there, stairs and ramps lead people on an unsettling journey into 9/11.

First, a dark corridor is filled with the voices of people remembering the day. Then visitors find themselves looking over a cavernous space, 70 feet below ground, at the last steel column removed during the ground zero cleanup – a totem covered with the numbers of police precincts and firehouses and other messages.

Descend farther – past the battered “survivors' staircase” that hundreds used to escape the burning towers – and there are such artifacts as a mangled piece of the antenna from atop the trade center and a fire truck with its cab shorn off.

And then, through a revolving door, visitors are plunged into the chaos of that day: fragments of planes, a teddy bear left at the impromptu memorials that arose after the attacks, video of the twin towers collapsing and people running from plumes of dust, footage of an astronaut solemnly describing the smoke plume from high above Earth (“I just wanted the folks to know that their city still looks very beautiful from space,” Frank Culbertson says), and the sounds of emergency radio transmissions and office workers calling loved ones.

Sprinkled among stories of heroism are snippets about the hijackers, including photos of all 19 on an inconspicuous panel.

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